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I told him to say some corny porn things, and he started screaming, ‘Give me that big dick!’ Franco one-upped me.”įranco’s participation wasn’t enough to impress Corrigan, whose real name is Sean Paul Lockhart. “For one sex scene, I thought I was being crazy by telling him had to be fully naked wearing a cock sock, and bent over taking it up the ass. “He took things to the next level,” Kelly says. Franco was game for anything, according to Kelly. The scenes feels alive rather than static. Unlike in Boogie Nights, arguably the best-known film about the inner workings of the porn industry, the sex in King Cobra mostly takes place off set, in the homes of the main players. He delivers a performance to rival his convincing turn as a tattooed drug kingpin in Harmony Korine’s Spring Breakers. Franco gets close to equal screen-time as Joseph Kerekes, the enterprising but cash-strapped porn producer, who came to be charged with the crime.
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Like Andrew E Stoner and Peter A Conway’s book, Kelly’s film largely centers on the real-life rise of gay porn star Brent Corrigan (Teen Beach Movie’s Garrett Clayton), and how he became embroiled in the gruesome murder of Bryan Kocis (played by Christian Slater), the gay hardcore porn producer that gave him his first big break. Franco bit because “he saw it as a challenge” to get financed given the subject matter, says Kelly. When Franco came to Kelly following I Am Michael, asking what they could do next, Kelly says he floated the idea of adapting the true crime book Cobra Killer: Gay Porn, Murder, and the Manhunt to Bring the Killers to Justice. Following their work together on the Oscar-winning drama, Franco optioned the New York Times article My Ex-Gay Friend, on which I Am Michael would be based, and Van Sant suggested he hire Kelly to adapt it. Franco was playing Harvey Milk’s much younger lover in the film Kelly acted as the editor’s assistant. (The film is slated to open in the US in January, two years after its debut at the Sundance film festival.)įranco first became acquainted with Kelly on the set of Gus Van Sant’s gay civil rights drama Milk. The pair had previously collaborated on Kelly’s first project, I Am Michael, another true story about a gay activist who denounced his homosexuality and became a Christian pastor. “He loves his scandalous stories, and every now and then, he likes his gay stories,” confides King Cobra writer and director Justin Kelly over breakfast in Los Angeles, hours before he flies to London for the film’s BFI London film festival screening.